May 17, 2012
Interview with Zach Gill and Dave Brogan of ALO

I got the opportunity to interview Zach Gill (singer/keyboardist) and Dave Brogan (drummer) of ALO at World Cafe Live recently, and we discussed their new album Sounds Like This, beards, and Andrew WK. Here are the highlights.

Me - I love the band name Animal Liberation Orchestra, do you have a story of where that come from?

Zach - We just chose, we changed names a lot in the early days. (The band has existed in some form since they were in junior high.)

Dave - They used to actually have a horn section, and it was Animal Liberation Orchestra and the Free Range Horns, and ironically we dropped the horns and kept the name.

Zach - It ended up becoming just ALO. We originally were like ‘Were gonna liberate people’s inner animals,’ and as time went on we focused on ALO. It felt simple and memorable. 

Me - Before I ask about Sounds Like This which came out 2 or 3 days ago, (2010 album) Man of the World was produced by Jack Johnson. You (Zach) tour with Jack Johnson, other members of the band have worked with Jack Johnson, what was it like having him produce for you? I wasn’t aware that he produced much.

Zach - Yea, a few things here and there, but it was awesome. In a lot of ways it was a relief. Some times with the four of us we have a lot of ideas - “Ok, should we go blue or green? I don’t know.” Instead we can just say ‘Ok Jack, what do you think?” He got to be the 5th member sort of.

Dave - I like that too, not being responsible to make every single choice. Making ever decision by committee every time can just be a lot of extra work. It was cool that everyone in the band felt comfortable deferring to him.

Me - Four full opinions doesn’t always work out perfectly

Zach - Its tricky, can be frustrating. But really good, a lot of dynamic things come out of it, but when you’re in the process it can be intense.

Me - For Sounds Like This was the process different from past albums?

Dave - Yea, we went in with less of a blueprint of a final outcome, so we just went in and started creating and jamming,

Zach - I guess a similarity between Man of the World and Sounds Like This would be that we didn’t have a lot of stuff worked out for Man, but we had Jack as “if he likes it, its in.” With Sounds we kinda took the same approach but we didn’t have somebody besides ourselves to judge.

Me - You just decided as it happened?

Dave - Exactly, and we recorded from the very start. Where in Man we’d come in in the morning rehearse and arrange it and then record it. But on Sounds we just started recording.

Me - Listening to the album the spontaneity definitely shows, and this album features a lot longer songs than usual. Your past songs were consistently 3-6 minutes. Long for pop songs, but not into jam band territory even though you guys do it amazing live. And now on Sounds you’re stretching out 8-9 minutes on some songs.

Zach - Normally we’d end up cutting that stuff out because there’s the song and the jam, but we decided this time to let them both live side by side

Me - When you’re listening to an album, you’re kind of getting to know it and in my mind I can get an idea for what it looks like. So (2008 album) Roses and Clover has a casual beard, nothing overly shaggy. If you had to describe what Sounds Like This looks like, what is its face?

Dave - (Laughs) Oh yea, I think its got a little bit of glitter on it. I think its pretty clean shaven.

Zach - Oh really? I’d almost say its like Gandalf super overgrown but with - maybe its a little Hunger Games-ey like that Seneca Crane thing with like weird- It’s like a Gandalf beard really long but its got some weird stuff shaved in up here (face.)

Me - So its overgrown but meticulous at points

Zach - Exactly

Me - Purposeful, Curves, Lines

Zach - Yes, purposefully overgrown. But with some glitter and then, if it was a painting of an old man with this beard from some other dimension and he’s done weird things like put some pink neon - some weird tribalism.

You heard it here, buy ALO’s new album Sounds Like This now. Uplifting, adventurous funky rock with a glittery painted manscaped Gandalf vibe. 

~ Mike Morrongiello

May 15, 2012
Esperanza Spalding Radio Music Society at the Electric Factory

This past Sunday, the Electric Factory hosted the beautiful and charming Esperanza Spalding and her Radio Music Society. She enthralled the crowd with her wit and enchanting stories of love lost and found, preserving the beauty of the earth, and fighting the urge to express yourself. A rising star at only 27, Esperanza’s talent is sure to charm audiences for decades to come. 

Created with Admarket’s flickrSLiDR.

Alex Rudisill

@alex_rudisill

May 15, 2012
The Sniffles and Gaston Split 7” Record To Be Released Tuesday, May 22nd Through Painbridge Records

Painbridge Records recently announced the release of a split 7” featuring two Philadelphia punk bands, The Sniffles and Gaston

Born out of the Philly basement scene, Gaston is a three-piece pop-punk band who draws influences from the likes of the Descendents and Lagwagon. They successfully combine aspects of traditional punk with melodic songwriting similar to Jawbreaker. Eschewing the usual lyrics about getting stoned and teenage political dissent, the band opts for a more personal songwriting style backed by technical, yet powerful drumming and heavily melodic bass. After the release of their self-titled EP in July 2011 and numerous high-energy shows, Gaston is ready to throw you back on the classic pop-punk you grew up on.

Straight out of Fishtown, The Sniffles are three good old-fashioned alt-punk rockers that’ll have you singing along. They can speed it up and slow it down, giving the listener a strong sense of nostalgia.

“The Sniffles and Gaston Do A Split,” recorded in a living room and basement, represents the core of Philly DIY punk rock music. It will be available for purchase on Tuesday, may 22nd through the Painbridge Records website.

Don’t forget to catch Gaston open for Titus Andronicus at Flux this Wednesday night, starting at 8pm!


Alex Rudisill

@alex_rudisill

May 8, 2012
Kina Grannis at the TLA [4/21]

Kina Grannis, originally a Southern California native much like myself, took the stage at the TLA on April 21st. SHe is currently on tour with Imaginary Friend who opened for her. Being from the same general area as Kina, I must admit that I was surprised as to how well known she is on the East Coast. The audience was attentive right from the opening act - which Imaginary Friend was very grateful for. 

After Imaginary Friend played about a thirty minute set, the crowd anxiously awaited Kina’s appearance on stage. Every time someone would walk out onto the stage, even if it wasn’t Kina, the crowd would make noise. As the wait continued, the crowd became even more anxious. So when Kina finally stepped out onto the stage, everyone was more than happy to see her. For the amount of people at the show, the crowd was pretty darn loud. 

Kina walked out with her acoustic guitar and began her set with “Strong Enough.” This was a great way to start the set because the crowd knew most or all of the lyrics to the song and began to sing along with her. This immediately got the crowd engaged and it stayed that way for the rest of the set. The entire set was 11 songs long and she played songs such as “The One You Say Goodnight To,” “Cambridge,” and one of her better known songs that even has a music video - “Valentine.” To end the set she played “Message From Your Heart” and she stepped away from the microphone and unplugged her guitar so she could sing with the crowd. The crowd could still hear her, but just barely because they were singing so loud - myself included. This was definitely one of the more intimate performances I have seen between an artist and the crowd. 

Once the song was over, Kina thanked the crowd for being so great and left the stage. The crowd then started chanting for her to come back out - and she did. It didn’t take long because she said that she was always afraid that if she took too long people would start to leave. Normally she only does one or two more songs for an encore, but that night she decided to do three. Two of the songs were covers and she started off the encore with “Gangster’s Paradise.” Not exactly what you would expect, right? However, if you have not heard her rendition of it, you just might want to head over to YouTube and watch one of the many videos you can find of her performing it. Next, she played a song titled “Make It Go” which was about the fight her mom had with cancer. It was a very touching song and the crowd really enjoyed it. Lastly, she ended the night with a cover of “Fix You.” For this, Imaginary Friend came out, as well as her friend who played bass and cajon on previous songs. She played the ukelele for this cover and ended the night on a great note. 

Great show. Great music. If you haven’t heard of her, please check her out. 

-Deanna Chapman

May 2, 2012
Artist Spotlight: Caveman

New York City has bred many an indie rock band, but none quite like Caveman. Formed in 2010, Caveman bring some enthralling ear candy to the indie world (think Beck meets Real Estate). Their latest release, Coco Beware (which dropped at the end of last year), is equally chill, blissful, and infectious. With harmonies as rich as Fleet Foxes and beats as driving as Surfer Blood, the album is an all-around an enjoyable listen.

Caveman will be playing a show at MilkBoy Philly this Friday (5/4), so be sure to stop by and check them out. 

MP3: “Old Friend”

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~ Ashley Kuhn (@ashkuhn)

(Source: thecorrespondencemusic.com)

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